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From the Renaissance era, notated secular and sacred music survives in quantity, including vocal and instrumental works and mixed vocal/instrumental works. A wide range of musical styles and genres flourished during the Renaissance, including masses, motets, madrigals, chansons, accompanied songs, instrumental dances, and many others.
The recorder family, one of the many consorts of instruments available to Renaissance composers. One key distinction between Renaissance and Baroque instrumental music is in instrumentation; that is, the ways in which instruments are used or not used in a particular work. Closely tied to this concept is the idea of idiomatic writing, for if ...
Renaissance music flourished in Europe during the 15th and 16th centuries. The second major period of Western classical music, the lives of Renaissance composers are much better known than earlier composers, with even letters surviving between composers. Renaissance music saw the introduction of written instrumental music, although vocal works ...
Lirum, Riga: Renaissance vocal music ensemble; Ludus (Māra Birziņa), Riga: late Renaissance to early baroque (chamber music) Schola Cantorum Riga (Guntars Prānis): gregorian and early medieval chants; Trakula: medieval and Renaissance vocal and instrumental music
In music history, the music of the English Renaissance is noted for its complex polyphonic vocal music, both sacred and secular, and the emergence of instrumental music. With the gradual shift in the early Baroque period, England experienced a decline in musical standing among European nations.
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music .
Ricercar – Instrumental composition featuring imitative counterpoint. Sequence – Chant or hymn sung or recited during the liturgical celebration, typically following the Alleluia. Tiento – Form of keyboard music similar to the fantasia, known for its intricate counterpoint.
Tomb of Giovanni Gabrieli in Santo Stefano, Venice. Giovanni Gabrieli (c. 1554 /1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms.