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Vir Heroicus Sublimis is a 1951 painting by Barnett Newman, [1] an American painter who was a key part of the abstract expressionist movement. Vir Heroicus Sublimis—"Man, Heroic and Sublime" in Latin—attempts to evoke a reaction from its viewers through its overwhelming scale (his largest canvas yet at the time he released it) and saturated color.
Who's Afraid of Red, Yellow and Blue is a series of four large-scale paintings by Barnett Newman painted between 1966 and 1970. Two of them have been the subject of vandalistic attacks in museums. Two of them have been the subject of vandalistic attacks in museums.
Voice of Fire is a 1967 acrylic on canvas abstract painting made by American painter Barnett Newman in 1967. It consists of three equally sized vertical stripes, with the outer two painted blue and the centre painted red. The work was created as a special commission for Expo 67.
Barnett Newman at the Museum of Modern Art; Barnett Newman at the Philadelphia Museum of Art; Newman's page at the Tate Gallery (includes images of the 18 Cantos and other works) American Museum of Natural History, Dept. of Anthropology correspondence with Barnett Newman and Betty Parsons, 1944-1946 in the collection of the Smithsonian Archives ...
The Stations of the Cross is a series of fifteen abstract expressionist paintings created between 1958 and 1966 by Barnett Newman, often considered to be his greatest work. [1] It consists of fourteen paintings, each named after one of Jesus's fourteen Stations, followed by a coda, Be II. Unlike most depictions of the Stations of the Cross ...
Pages in category "Paintings by Barnett Newman" The following 5 pages are in this category, out of 5 total. ... Who's Afraid of Red, Yellow and Blue
Musician Michael King, left, directs others on drums and keyboards as former Detroit Red Wings national anthem singer Karen Newman and the band rehearse at his Birmingham studio on Wednesday, Nov ...
Barnett Newman, Morris Louis, Jack Bush, Gene Davis, Kenneth Noland and David Simpson, all made important Series' of stripe paintings. Although he did not call them stripes but zips Barnett Newman's stripes were mostly vertical, of varying widths and sparingly used.