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African poetry encompasses a wide variety of traditions arising from Africa's 55 countries and from evolving trends within different literary genres.The field is complex, primarily because of Africa's original linguistic and cultural diversity and partly because of the effects of slavery and colonisation, the believe in religion and social life which resulted in English, Portuguese and French ...
Poetry groups and movements or schools may be self-identified by the poets that form them or defined by critics who see unifying characteristics of a body of work by more than one poet. To be a 'school' a group of poets must share a common style or a common ethos.
This is a list of African poets. Contemporary Africa has a range of important poets across many different genres and cultures. Poetry in Africa details more on the history and context of contemporary poetry on the continent.
Afrikaans can claim the same literary roots as contemporary Dutch, as both languages stem from 17th-century Dutch. One of the oldest examples of written Cape Dutch is the poem Lied ter eere van de Swellendamsche en diverse andere helden bij de bloedige actie aan Muizenberg in dato 7 August 1795 (Song in Honour of the Swellendam and various others Heroes at the Bloody Action at Muizenberg) [3 ...
Among Black female authors of the time, the late Bessie Head and Sindiwe Magona (who went into exile in Botswana and USA respectively) are better known as novelists but did write poetry too. Women Writing Africa: The Southern Region by Margaret J. Daymond embodies the poetry and writing of several black South African women poets who were ...
The Penguin Book of Modern African Poetry (in an earlier 1963 edition Modern Poetry from Africa) is a 1984 poetry anthology edited by Gerald Moore and Ulli Beier. [1] It consists mainly of poems written in English and English translations of French or Portuguese poetry; poems written in African languages were included only in the authors' translations.
Ibitekerezo is a form of epic hero poetry that was performed at the royal court in precolonial Rwanda. This oral tradition serves to explain the history of Rwandan dynasties in poetic form. [ 1 ]
The poem follows a trope in African literature of "The White Man Laughed", which embodies the notion of dismay and cynical derision of the beliefs, practices, and norms of an African. [3] However, Okara's poem can be seen to transcend the acceptance of the derision of the White Man and present a wiser African intellectual.