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Any chord that moves between one diatonic chord and another one nearby may be loosely termed a passing chord. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." [4] "'Inbetween chords' that help you get from one chord to another are called passing ...
"The Piano Has Been Drinking (Not Me) (An Evening with Pete King)", often referred to as "The Piano Has Been Drinking", is a song written and performed by Tom Waits. The song first appeared on his 1976 album Small Change , and an extended live version on the 1981 compilation album Bounced Checks .
A passing tone (PT) or passing note is a nonchord tone prepared by a chord tone a step above or below it and resolved by continuing in the same direction stepwise to the next chord tone (which is either part of the same chord or of the next chord in the harmonic progression).
Great Times! is an album by American pianist, composer and bandleader Duke Ellington's featuring duet performances with his arranger and musical partner Billy Strayhorn originally recorded for the Mercer Records label in 1950, and later released on a 10" LP called Piano Duets.
The bebop major scale is derived from the Ionian mode (major scale) and has a chromatic passing note added (a ♯ 5) between the 5th and 6th degrees of the major scale. . Adding the ♯ 5 note to the seven-note major scale allows the chord tones 1, 3, 5 and 6 (a major 6th chord) to land on on-beats when the scale is played sequen
Le Pétomane was a professional flatulist around the start of the 20th century in France.. A flatulist, fartist, fartial artist, professional farter or simply farter is an entertainer often associated with flatulence-related humor, whose routine consists solely or primarily of passing gas in a creative, musical, or amusing manner.
Carter-style lick. [1] Play ⓘ. In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment.
In this case, the IV chord in C major (F major) would be spelled F–A–C, the V/ii chord in C major (A major) spelled A–C ♯ –E, and the ii chord in C major (D minor), D–F–A. Thus the chromaticism, C–C ♯ –D, along the three chords; this could easily be part-written so those notes all occurred in one voice. Despite the common ...