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Bosch fabricates a connection to the Merced case to protect Soto, and the two investigate the fire parallel to the Merced case. The trail leads them to a series of robberies across Greater Los Angeles that the FBI believe were used to fund a white supremacist militia group, and ultimately to a witness hiding in a convent on the Mexican border.
In his first case since being transferred to Homicide, Bosch investigates a body found in the trunk of a Rolls-Royce near the Hollywood Bowl seems to have connections with the Mafia, leading Bosch to Las Vegas. At the encouragement of Fire Chief, and the approval of the Medical Examiner, Bosch arranges for the car to be towed away on a flatbed ...
In a new interview with Parade, the best-selling author discusses 'Bosch: Legacy' Season 2, his upcoming book and more.
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The Night Fire is the 33rd novel by American crime author Michael Connelly, and the twenty-second novel featuring Los Angeles Police Department detective Harry Bosch. It is the third to feature Renee Ballard. The book was published by Little, Brown and Company in 2019.
All seven seasons of the Amazon Prime Video series, Bosch, are based on Connelly's books. The events of City of Bones, together with those of The Concrete Blonde and Echo Park, serve as the basis for the first season. The main plot of the discovered bones and Bosch's tumultuous relationship with Brasher feature heavily in the show.
[2] A review in Kirkus Reviews opined that of the two murder cases featured in the novel, the Pearlman cases is "considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch's problems ...
The Closers is the 15th novel by American crime author Michael Connelly, [1] and the eleventh featuring the Los Angeles detective Hieronymus "Harry" Bosch.This novel features a return to an omniscient third-person style narration after the previous two, set during Bosch's retirement (Lost Light and The Narrows) were narrated in from a first-person perspective.