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A limiter is a compressor with a high ratio and, generally, a short attack time. Compression is used to improve performance and clarity in public address systems, as an effect and to improve consistency in mixing and mastering. It is used on voice to reduce sibilance and in broadcasting and advertising to make an audio program stand out.
Limiting can refer to a range of treatments designed to limit the maximum level of a signal. Treatments in order of decreasing severity range from clipping, in which a signal is passed through normally but sheared off when it would normally exceed a certain threshold; soft clipping which squashes peaks instead of shearing them; a hard limiter, a type of variable-gain audio level compression ...
Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing.Parallel compression, a form of upward compression, is achieved by mixing an unprocessed 'dry', or lightly compressed signal with a heavily compressed version of the same signal.
The 1176 Peak Limiter is a dynamic range compressor introduced by UREI in 1967. Derived from the 175 and 176 tube compressors, it marked the transition from vacuum tubes to solid-state technology. [ 1 ]
The Fairchild 660 is a tube-based single-channel audio compressor invented by Rein Narma and manufactured by the Fairchild Recording Equipment Corporation beginning in 1959. The 660 was the first intelligent automatic volume control limiter. [1] The Fairchild 670, introduced shortly after the 660, is a dual-channel version. [2]
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The F760X 'Compex' limiter was made up of three main parts; a compressor, limiter and a 'noise reducing' expander/gate. All of these parts could be used separately or together for well controlled sound limiting. This combination came about from client feedback.
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