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(The fifth great Romantic ballerina of the time, Fanny Elssler, had been invited to take part but declined to do so; she was replaced by the young Lucile Grahn who accepted without hesitation.) [1] Pas de Quatre captured the essence of the Romantic style as the ballerinas danced with demure lightness, delicacy, and poise. The steps demand that ...
It uses text, dialogue and poetry. [4] The book is narrated from rapidly alternating perspectives: the Dad, the Boys, and Crow—a human-sized bird that can speak, "equal parts babysitter, philosopher and therapist" to the family. [5] [6] The title refers to a poem by Emily Dickinson, ""Hope" is the thing with feathers". [7]
In an extended accompanied cadenza filled with extremely detailed performance instructions by Strauss, after the fashion of an operatic recitative, the violin presents new motivic material, alternating with brief interjections in low strings, winds, and brass. During this section, the violin briefly foreshadows a theme that will appear fully later.
Four Past Midnight is a collection of novellas written by Stephen King in 1988 and 1989 and published in August 1990. [1] It is his second book of this type, the first one being Different Seasons.
In 1983, Holabird's first children's book, Angelina Ballerina, was published. [2] Her son Adam was her inspiration for the character Henry, and Angelina's character was inspired by her daughters' love for dressing up and dancing. [2] Holabird wrote the first draft of Angelina Ballerina at the kitchen table with her daughters dancing around her ...
Book IV (frr. 58 – 91) x – u u – – u u – – u u – u – – (^hipp 2c, called aiolikon by Hephaestion), marked off in distichs; the book may also have contained three-line stanzas. [g] Book V (frr. 92 – 101) probably consisting of poems in various three-line stanzas Book VI contents unknown Book VII (fr. 102)
A dancer is said to be en pointe (/ ɒ̃-, ɒ n-, ɑː n ˈ p w æ n t /) when the body is supported in this manner, and a fully extended vertical foot is said to be en pointe when touching the floor, even when not bearing weight. Pointe technique resulted from a desire for female dancers to appear weightless and sylph-like. Although both men ...
Ancient authors most commonly referred to the poem as the Catalogue of Women, or simply the Catalogue, but several alternate titles were also employed. [4] The tenth-century encyclopedia known as the Suda gives an expanded version, the Catalogue of Heroic Women (Γυναικῶν Ἡρωϊνῶν Κατάλογος), and another late source, the twelfth-century Byzantine poet and grammarian ...