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Dionysus came to his birthplace, Thebes, where neither Pentheus, his cousin who was now king, nor Pentheus' mother Agave, Dionysus' aunt (Semele's sister) acknowledged his divinity. Dionysus punished Agave by driving her insane, and in that condition, she killed her son and tore him to pieces.
Pentheus soon banned the worship of the god Dionysus, who was the son of his aunt Semele, and forbade the women of Cadmeia to partake in his rites. An angered Dionysus caused Pentheus' mother Agave and his aunts Ino and Autonoë, along with all the other women of Thebes, to rush to Mount Cithaeron in a Bacchic frenzy. Accordingly, Pentheus ...
The tragedy recounts the Greek myth of King Pentheus of Thebes and his mother Agave, who were punished by the god Dionysus (who is Pentheus's cousin) for rejecting his cult. The play opens with Dionysus proclaiming that he has arrived in Thebes with his votaries to avenge the slander, repeated by his aunts, that he is not the son of Zeus ...
In Euripides' play The Bacchae, Theban Maenads murdered King Pentheus after he banned the worship of Dionysus because he denied Dionysus' divinity.Dionysus, Pentheus' cousin, lured Pentheus to the woods—Pentheus wanted to see what he thought were the sexual activities of the women—where the Maenads tore him apart and his corpse was mutilated by his own mother, Agave.
Labdacus himself survived the war. However, following in the footsteps of Pentheus, King Labdacus opposed the cult of Dionysus, and was killed by Dionysus' enraged devotees, the Maenads. Labdacus left behind a young son, Laius. Lycus again took control of Thebes, this time as a usurper, and denied Laius his birthright. This inaugurated a new ...
[91] [94] Both works end with the violent death of one of the central figures; [94] in John's gospel it is Jesus himself, but in The Bacchae it is Dionysus's cousin and adversary Pentheus, the king of Thebes. [94] [nb 13] Stibbe emphasizes that two accounts are also radically different, [98] but states that they share similar themes. [98]
Whereas in Euripides' play Pentheus is a young man (cousin, and potential mirror image of Dionysus), in this production John Shrapnel seemed old enough to be a father figure, and thereby a generational difference was introduced. [2]
An "unspoken" sparagmos may have been the central element underlying the very genre of Greek tragedy. [1] [2] Maenads and Pentheus, House of the VettiiSparagmos (Ancient Greek: σπαραγμός, from σπαράσσω sparasso, "tear, rend, pull to pieces") is an act of rending, tearing apart, or mangling, [3] usually in a Dionysian context.