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At approximately the same time, many churches were again turning to drama as a means of outreach, and as a valid art form. Small Christian theatre companies began to spring up in Britain and America. Covenant Players was founded in 1963 to produce Christian plays written by its founder.
The term was widely disseminated by well-known theater historians like Heinrich Alt (Theater und Kirche, 1846), [1] E.K. Chambers (The Mediaeval Stage, 1903) and Karl Young. Young's two-volume monumental work [2] about the medieval church was especially influential. It was published in 1933 and is still read today, even though his theories have ...
The first is rooted in local theatre where African Americans performed in cabins and parks. Their performances (folk tales, songs, music, and dance) were rooted in the African culture before being influenced by the American environment. African Grove Theatre was the first African-American theatre established in 1821 by William Henry Brown. [141]
By the Middle Ages, theatre in Europe consisted mostly of travelling minstrels and small performing troupes of performers singing and offering slapstick comedy. [9] In the 12th and 13th centuries, religious dramas, such as The Play of Herod and The Play of Daniel taught the liturgy, set to church chants.
Even exclusively Catholic countries were tolerant of the church-goers: ordinary theatrical amusements was tolerated and the Church allowed the general population to patronize the theatre. In most of those countries, theatres were even allowed to be opened on Sunday evenings when the popular plays are put on the boards.
Watercolor representing the Second Great Awakening in 1839. The Great Awakening was a series of religious revivals in American Christian history.Historians and theologians identify three, or sometimes four, waves of increased religious enthusiasm between the early 18th century and the late 20th century.
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In the earliest days of liturgical drama, plays were performed inside the church with limited scenery and the focus of the audience on the action. [7] Mansions were used to indicate location but much of the performance took place on the platea, the open space in front of the scenic structure, with the actors moving from mansion to mansion only when strictly necessary.