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On a piano, played with the soft pedal depressed Due corde: two strings: On a piano, played with the soft pedal depressed (For why both terms exist, see Piano#Pedals.) Tre corde or tutte le corde: three strings or all the strings: Cancels una corda Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect ...
Despite its title, La plus que lente was not meant to be played slowly; "lente," in this context, refers to the valse lente genre that Debussy attempted to emulate. [6] Typical of Debussy's caustic approach to naming his compositions, it represented his reaction to the vast influence of the slow waltz in France's social atmospheres.
played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato Articulate assai
Taking this one stage further, the clue word can hint at the word or words to be abbreviated rather than giving the word itself. For example: "About" for C or CA (for "circa"), or RE. "Say" for EG, used to mean "for example". More obscure clue words of this variety include: "Model" for T, referring to the Model T.
Sehr langsam (Very slowly), B ♭ major/G minor; Sehr lebhaft (Very lively), G minor; Sehr langsam (Very slowly), B ♭ major; Sehr rasch (Very fast), C minor/E ♭ major; Schnell und spielend (Fast and playful), G minor. Schumann used material from this movement in the fourth movement of his first symphony.
Using his guitar's control knob, he slowly increases volume until an audio feedback loop develops and he slides into the song's implied dominant seventh sharp ninth chord. [ 98 ] [ nb 9 ] Hendrix used a combination of natural amplifier overdrive and fuzz box effects units to create the song's razor-sharp guitar tone. [ 100 ]
The lassan is played slowly, with a rhythm in improvisational style, again finishing with a large cadenza at the end, leading sequentially to the friska (Allegro) in B-flat major. The melody is played in semiquavers requiring the player to move fast in octaves. The bass line repeats the same strong quaver rhythms.
This gives the passage an unusual timing and when played slowly an unusual sound. However, this is less noticeable by ear when played fast, as legato usually is. There is a fine line between legato and two-hand finger tapping, in some cases making the two techniques harder to distinguish by ear. Generally, legato adds a more fluid, smooth sound ...