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On the Ning Nang Nong" is a poem by the comedian Spike Milligan featured in his 1959 book Silly Verse for Kids. [1] In 1998 it was voted the UK's favourite comic poem in a nationwide poll, ahead of other nonsense poems by poets such as Lewis Carroll and Edward Lear .
A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous.
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes , for example AABBCC, ABABCC, AABCCB or AAABAB. [ 1 ]
Holorime [1] (or holorhyme [2]) is a form of rhyme where two very similar sequences of sounds can form phrases composed of different words and with different meanings. For example, the two lines of Miles Kington's poem "A Lowlands Holiday Ends in Enjoyable Inactivity" are pronounced the same in some British English dialects: [nb 1]
This form has been known in many different cultures. In some cases the rhymed prose is a distinctive, well-defined style of writing. In modern literary traditions the boundaries of poetry are very broad (free verse, prose poetry, etc.), and some works may be described both as prose and poetry.
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
Bouts-Rimés (French, literally 'rhymed-ends') is the name given to a kind of poetic game defined by Addison in the Spectator as "lists of words that rhyme to one another, drawn up by another hand, and given to a poet, who was to make a poem to the rhymes in the same order that they were placed upon the list".