Search results
Results From The WOW.Com Content Network
Sri Chanda Bhairavar, one of the Ashta Bhairava ("Eight Bhairavas"); whose mount is a peacock. Vikata (Vikaṭa) ("unusual form", "misshapen"), an avatar of Ganesha, whose mount is a peacock (in the Mudgala Purana). In general, feathers of mayura are considered sacred and are used to dust the religious images and implements of Hindus.
Symbolism of the Peacock in religious life In Yazidism, the Peacock , the symbol or icon of Tawûsî Melek, is believed to represent the diversity of the World, [ 17 ] the colourfulness of its feathers being considered to symbolise the myriad colours of Nature.
The symbolism was adopted by early Christianity, thus many early Christian paintings and mosaics show the peacock. [51] The peacock is still used in the Easter season, especially in the east. The "eyes" in the peacock's tail feathers can symbolise the all-seeing Christian God, [52] the Church, [53] or angelic wisdom. [54]
The Indian peacock feathers are used in many rituals and ornamentation and its motifs are widespread in architecture, coinage, textiles and modern items of art and utility. [31] Indian peacock motifs are widely used even today such as in the logos of the NBC television network and the Sri Lankan Airlines. [101] [102]
The peacock is still used in the Easter season – especially in the east. [22] The "eyes" in the peacock's tail feathers symbolise the all-seeing God and – in some interpretations – the Church. A peacock drinking from a vase is used as a symbol of a Christian believer drinking from the waters of eternal life.
Feathers in fashion were a status symbol well into the nineteenth and twentieth centuries. The Belle Epoque draped its clothing in feathers as ornaments. [ 34 ] The Hudson's Bay Company of Canada traded in swans and sometimes geese , for their skins and quills in the 18th and 19th centuries; the skins were then sent to Europe. [ 35 ]
Mahamayuri (Sanskrit: महामायूरी Mahāmāyūrī ("great peacock"), Chinese: 孔雀明王 Kǒngquè Míngwáng, Vietnamese: Khổng Tước Minh Vương, Japanese: 孔雀明王, romanized: Kujaku Myōō, Korean: 공작명왕 Gongjak Myeongwang), or Mahāmāyūrī Vidyārājñī is a bodhisattva and female Wisdom King in Mahayana and Vajrayana Buddhism.
The most spectacular practice is the vel kavadi, essentially a portable altar up to two meters tall, decorated with peacock feathers and attached to the devotee through multiple vels pierced into the skin on the chest and back. Fire walking and flagellation may also be practiced.