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The final design of the dress was kept secret, although much speculation surrounded it. It was said the princess feared that if details were published fashion house copies would make it impossible for her to make last-minute design alterations. [11] The dress was taken to the palace a day before the wedding in a 4-foot (1.2 m) box.
The dress was an embroidered "Tudor-style" wedding dress with a high collar and "mediaeval" trumpet sleeves, [1] [5] with white silk chiffon under sleeves edged with pearls and other jewels. [6] Her veil was made of silk net embroidered with floral sprays, and her "something borrowed" was the Queen Mary Fringe tiara. [6]
He designed her 1934 wedding dress and the bridesmaids dresses for her marriage to Queen Mary's fourth son Prince George, Duke of Kent and when Molyneux opened his London salon, also designed by Lacoste, she became a steady client of his until he closed the business in 1950. Thereafter, she was often a Hartnell client.
Matching the orange blossom elements to the dress, small wreaths were placed around the bust and on the hair. [8] Princess Mary completed the wedding outfit with a diamond tiara from Queen Victoria; a diamond rivière necklace from the Prince and Princess of Wales and diamond earrings and anchor brooch, a wedding gift from Prince George. [13]
Princess Beatrice’s royal wardrobe got a floral update with her recent appearances at the Royal Ascot.. Accompanied by husband Edoardo Mapelli Mozzi, the princess channeled ’80s fashion on the ...
The gown, like Elizabeth's wedding dress and other notable royal dresses of this period, was designed by Norman Hartnell. [3] [4] It was Elizabeth's wish that the coronation dress should be made of satin, like her wedding dress, with accentuation of regal elegance, but with no undue emphasis on shape. [5] The gown now forms part of the Royal ...