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  2. Depiction of Jesus - Wikipedia

    en.wikipedia.org/wiki/Depiction_of_Jesus

    Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...

  3. Gallery of the Sistine Chapel ceiling - Wikipedia

    en.wikipedia.org/wiki/Gallery_of_the_Sistine...

    The ancestors of Jesus are listed in the Biblical books of Matthew and Luke. This is the first known large painted series, although they were often shown in stained glass. See Tree of Jesse. Although each picture has a title, the characters cannot be positively identified.

  4. Head of Christ - Wikipedia

    en.wikipedia.org/wiki/Head_of_Christ

    The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]

  5. Forensic science reveals how Jesus really looked - AOL

    www.aol.com/news/2015-12-14-forensic-science...

    Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process. After reducing his jaw ...

  6. Race and appearance of Jesus - Wikipedia

    en.wikipedia.org/wiki/Race_and_appearance_of_Jesus

    Although some images of Jews exist in the synagogue in Dura-Europos, and such images may have been common, their influence on the depictions of Jesus remains unknown. [82] Christian depictions of Jesus which were produced during the 3rd and 4th centuries typically focused on New Testament scenes of healings and other miracles. [84]

  7. Divine Mercy image - Wikipedia

    en.wikipedia.org/wiki/Divine_Mercy_image

    Sopocko was a professor of theology at the University of Vilnius and introduced Kowalska to Kazimirowski, who was a professor of art there and had painted other religious images. Kowalska gave Kazimirowski specific instructions about the appearance and the posture of the image, which she said she had received from Jesus Christ in a vision.