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In the case of an image of a saint, the worship would not be latria but rather dulia, while the Blessed Virgin Mary receives hyperdulia. The worship of whatever type, latria, hyperdulia, or dulia, can be considered to go through the icon, image, or statue: "The honor given to an image reaches to the prototype" (St. John Damascene in Summa ³).
The Christian cross, seen as representing the crucifixion of Jesus, is a symbol of Christianity. [1] It is related to the crucifix, a cross that includes a corpus (a representation of Jesus' body, usually three-dimensional) and to the more general family of cross symbols.
Image Name Description Latin (or Roman) cross: Cross with a longer descending arm, whereby the top of the upright shaft extends above the transverse beam. It represents the cross of Jesus's crucifixion. In Latin, it was referred to as crux immissa or crux capitata. Greek (or Hellenic) cross
As the Stations of the Cross are prayed during the season of Lent in Catholic churches, each station is traditionally followed by a verse of the Stabat Mater, composed in the 13th century by Franciscan Jacopone da Todi. James Matthew Wilson's poetic sequence, The Stations of the Cross, is written in the same meter as da Todi's poem. [37]
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Strictly speaking, to be a crucifix, the cross must be three-dimensional, but this distinction is not always observed. An entire painting of the crucifixion of Jesus including a landscape background and other figures is not a crucifix either. Large crucifixes high across the central axis of a church are known by the Old English term rood.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.