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21. "I cook with wine, sometimes I even add it to the food."." — W.C. Fields. 22. "The only real stumbling block is fear of failure. In cooking you've got to have a what-the-hell attitude."
"King" was released as the main A-side with "Food for Thought" as the AA-side. It was therefore intended to be the side promoted; however, radio disc jockeys saw "Food for Thought" as the better radio track and as such it gained more airplay than "King" and became the hit. [6]
"Food for Thought" was released as a double A-side single with "King" on local independent label Graduate Records. [A] The single lists "King" as the first A-side and Bob Lamb has explained that "Food for Thought" was originally the B-side and that "King" "was always gonna be the main song".
Food for Thought (Pink Cream 69 album) Food for Thought (Young Rome album) Food for Thought, a 1972 album by the band The J.B.'s; Food for Thought, a 2004 album by the band Santana; Food for Thought, a 2005 Iron Maiden tribute album; Food for Thought/Take It Back, a 1990 album by American band Gray Matter
Virginia Graham, born Virginia Komiss, (July 4, 1912 – December 22, 1998) [1] [2] was an American daytime television talk show host from the mid-1950s to the mid-1970s. On television, Graham hosted the syndicated programs Food for Thought (1953–1957), [3] Girl Talk (1963–1969) and The Virginia Graham Show (1970–1972). [4]
Some early Taoist diets called for bigu (simplified Chinese: 辟谷; traditional Chinese: 辟穀; pinyin: bìgǔ; Wade–Giles: pi-ku; lit. 'avoiding grains'), based on the belief that immortality could be achieved in this way. [1]
Reset San Francisco ran a community event in Golden Gate park on February 26 named Food for Thought. Over 250 citizens of San Francisco attended the event to discuss possible solutions to the city's problems. The participants split into various groups each leading discussion on a different theme such as transportation, housing and the ...
“The penmanship matches other examples of Chopin’s handwriting,” said the spokeswoman. “The score contains fingerings and dynamic markings, suggesting that Chopin thought the piece might ...