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  2. Tamora Pierce - Wikipedia

    en.wikipedia.org/wiki/Tamora_Pierce

    Tamora Pierce (born December 13, 1954) is an American writer of fantasy fiction for teenagers, known best for stories featuring young heroines.She made a name for herself with her first book series, The Song of the Lioness (1983–1988), which followed the main character Alanna through the trials and triumphs of training as a knight.

  3. Feminist children's literature - Wikipedia

    en.wikipedia.org/wiki/Feminist_children's_literature

    Varga-Dobai says that female characters in children's novels began to be portrayed as more daring, active, and independent, in order to provide girls with a new image of an ideal female. [9] The idea of a strong, independent female character in children's books plays into the topic of gender representation.

  4. Strong female character - Wikipedia

    en.wikipedia.org/wiki/Strong_female_character

    The strong female character is a stock character, the opposite of the damsel in distress. In the first half of the 20th century, the rise of mainstream feminism and the increased use of the concept in the later 20th century have reduced the concept to a standard item of pop culture fiction.

  5. Pippi Longstocking - Wikipedia

    en.wikipedia.org/wiki/Pippi_Longstocking

    Pippi Longstocking (Swedish: Pippi Långstrump) is the fictional main character in a series of children's books by Swedish author Astrid Lindgren.Pippi was named by Lindgren's daughter Karin, who asked her mother for a get-well story when she was off school.

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  7. Category:Female characters in literature - Wikipedia

    en.wikipedia.org/wiki/Category:Female_characters...

    Pages in category "Female characters in literature" The following 200 pages are in this category, out of approximately 457 total. This list may not reflect recent changes .

  8. The Paper Bag Princess - Wikipedia

    en.wikipedia.org/wiki/The_Paper_Bag_Princess

    The Paper Bag Princess is a children's book written by Robert Munsch and illustrated by Michael Martchenko. It was first published in 1980 by Annick Press and launched Munsch's career to the forefront of a new wave of Canadian children’s authors. [1] The story reverses the princess and dragon stereotype. [2]

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