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In Japanese architecture, fusuma are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. [1] They typically measure about 90 cm (2 ft 11 in) wide by 180 cm (5 ft 11 in) tall, the same size as a tatami mat, and are 2–3 cm (0.79–1.18 in) thick.
In modern Japan, it is fairly common to have garasu-do (all-glass sliding doors) on the outside of the engawa (veranda under the eaves), and translucent shoji on the inside, especially in cold climates. [5] A layer of paper shoji behind a layer of glass helps to insulate the house. [18]
In 1973, according to one study, 65% of the population of Japan lived in detached houses, while 12% lived in attached houses and 23% in a flat or apartment. [10] A survey conducted by the Management and Coordination Agency in 1983 found that there were 34.75 million occupied dwellings in Japan, of which 46.1% were built of timber, 31.3% of ...
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
Tatami mats are rice straw floor mats often used to cover the floor in Japan's interiors; in modern Japanese houses there are usually only one or two tatami rooms. Another way to connect rooms in Japan's interiors is through sliding panels made of wood and paper, like the shōji screens, or cloth.
Gokayama (Japanese: 五箇山) is an area within the city of Nanto in Toyama Prefecture, Japan.It has been inscribed on the UNESCO World Heritage List due to its traditional gasshō-zukuri houses, alongside nearby Shirakawa-gō in Gifu Prefecture. [1]
The simpler style used in the architecture of tea houses for the tea ceremony developed in parallel with shoin-zukuri. In the 16th century Sen no Rikyū established dedicated "grass hut" (草庵, sōan) style teahouses characterized by their small size of typically two to eight mat, the use of natural materials, and rustic appearance. [13]
Paper on frame. In Japan, these are rarely left plain; they are usually painted. [15] Kichō (几帳) more images: T-shaped stand with curtain, with ties Made from parallel lengths of narrow-loom cloth (tanmono). Used in Heian Japan; [16] all but obsolete by the Edo Period [13] Chōdai (帳台) more images: Boxlike baldachin