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après moi le déluge After I'm dead nothing will matter. This cliché, literally meaning "after me, the flood," was allegedly said in slightly different form in 1757 by Madame de Pompadour to Louis XV after Frederick the Great defeated the French and Austrians at Rossbach.
The Flood (French: Le Déluge) is a 2024 historical drama film directed by Gianluca Jodice from a screenplay written by Jodice and Filippo Gravino. The film stars Guillaume Canet and Mélanie Laurent as Louis XVI and Marie Antoinette at the end of their reign.
Le Petit Lieutenant, by Xavier Beauvois; Les Poupées Russes, by Cédric Klapisch; Le Promeneur du Champ de Mars, by Robert Guédiguian; L'un reste, l'autre part, by Claude Berri; Sauf le respect que je vous dois, by Fabienne Godet; Tout pour plaire, by Cécile Telerman; À travers la forêt, by Jean-Paul Civeyrac
Among their many projects were a vast catalog of films, one of which was 1999’s Passport to Paris. I recently rewatched the movie in honor of its upcoming 25th anniversary, and enjoyed the ...
With her own voice providing the narration, the life of Hollywood legend Elizabeth Taylor takes on new dimensions in this documentary, releasing on the platform Aug. 3.
Unfinished film credits of Alain Delon Year Title Role Notes Ref(s) 1962 God's Chessboard (French: L'Échiquier de Dieu) Marco Polo: The project, titled L'Échiquier de Dieu (English: God's Chessboard), materialized in 1962 with Christian-Jaque as director, Alain Delon in the role of Marco Polo, Dorothy Dandridge as Empress Zaire, and Jean Marais in the role of the father.
The Times felt that, for all its visual charm and unpredictability, the film flagged in its second half, but concluded, "when mediocrity runs riot, cinema desperately needs its movie movies, and Les Amants du Pont Neuf, flaws and all, is the real McCoy". [76]
The film was reviewed by Variety, and described as "a silly farce with few amusing moments and many more boring ones". [3] The San Francisco Chronicle noted that "the film goes as far as a non-pornographic film can go in depicting sexuality" but "Eventually you catch on that the film isn't really making fun of itself so much as making fun of the audience for watching."