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The outlay of Crucifixion plaques was heavily influenced by imagery from early illuminated gospels, and it seems likely that the craftsmen had copies of these at hand. . Examples include folio 200r of the Book of Kells, f.38v from the Southampton Psalter, miniatures from the Irish Gospels of St. Gall, [6] and Durham Gospels, and the spear-bearer on the c. 1026 cumdach for the Stowe M
Crucifixion in popular art, as with modern art, is sometimes used for its shock value. For example, a World War I Liberty bond poster by Fernando Amorsolo depicts a German soldier nailing an American soldier, his arms outspread, to the trunk of a tree. Crucifixion imagery is also used to make points in political cartoons.
Strictly speaking, to be a crucifix, the cross must be three-dimensional, but this distinction is not always observed. An entire painting of the crucifixion of Jesus including a landscape background and other figures is not a crucifix either. Large crucifixes high across the central axis of a church are known by the Old English term rood.
The crucifix of San Marcello is a medieval work of religious art that is venerated in the Oratory of Santissimo Crocifisso of the Church of San Marcello al Corso in Rome. Having survived a fire that destroyed the church in 1519, the crucifix was popularly believed to possess intercessory powers.
The San Damiano Cross is the large Romanesque rood cross before which St. Francis of Assisi was praying when he is said to have received the commission from the Lord to rebuild the Church. It hangs in the Basilica of Saint Clare ( Basilica di Santa Chiara ) in Assisi , Italy, with a replica in its original position in the church of San Damiano ...
Christ of Saint John of the Cross; Christ on the Cross (Murillo) Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) The Crucifixion (Cranach) Cristo de Chircales; Crucified Christ (Cosmè Tura) Crucifix of Pisa; Crucifixion (Tintoretto) Crucifixion (Titian) Crucifixion (1933) Crucifixion (Corpus Hypercubus) The Crucifixion (Margkazinis)
By the 17th century, a devotion associated with an image became known as the "Miraculous Lord of Esquipulas" or the "Miraculous Crucifix venerated in the town called Esquipulas". Esquipulas holds its patronal festival on January 15, when the largest number of pilgrims come from Guatemala and neighboring Central American countries. [2]
The crucifix was installed in the church of Santa Croce at the end of the thirteenth century. The church flooded in 1333 and 1557, but only experienced serious flood damage in 1966 when the banks of the Arno river burst and flooded Florence. During the event thousands of artworks were damaged or destroyed and the Crucifix lost 60%