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Swift wrote and directed the music video for "Fortnight", whose cinematography was handled by the Mexican filmmaker Rodrigo Prieto. [97] According to Swift, the music video for "Fortnight" was the visual representation of The Tortured Poets Department: "Pretty much everything in it is a metaphor or a reference to one corner of the album or ...
"Half of My Heart" is a song by American singer-songwriter John Mayer featuring American singer-songwriter Taylor Swift. It is the third single from Mayer's 2009 album, Battle Studies. Mayer was nominated for a Grammy Award for Best Male Pop Vocal Performance in 2011 for his solo version of the song. [2]
Taylor Swift Swift performed this song with T-Pain for the CMT Music Awards in June 2009. This song is a parody of Swift's 2008 single "Love Story". [159] "Monologue Song (La La La)" Taylor Swift Swift wrote a song to act as her monologue when she appeared as a host on Saturday Night Live in 2009. [160] "Three Sad Virgins" Taylor Swift Pete ...
The lyrics to "The Black Dog" from Taylor Swift's new album Tortured Poets Department leaked ahead its release. "The Black Dog" isn't a canine, but a bar where she and (likely) Alwyn would ...
Taylor Swift’s “Tortured Poets Department” album is filled with songs titled after proper names, including “Robin,” “Cassandra,” “Peter” and “thanK you aIMee.”There’s one ...
Consequently, Big Machine and Swift were embroiled in a series of disagreements leading to further friction; Swift alleged that the label blocked her from performing her songs at the 2019 American Music Awards and using them in her documentary Miss Americana (2020), while Big Machine released Live from Clear Channel Stripped 2008 (2020), an ...
Taylor Swift’s The Tortured Poets Department ended up having way more tracks about Swift’s Matty Healy romance than fans expected. Her bonus track “The Black Dog” appears to be the latest one.
Upon release, "Epiphany" received favorable comments from music critics, many of whom praised the song's emotion, themes, lyrics, and Swift's vocal ability, though some found its slow-moving pace and production drowsy. The song peaked at number 57 on the US Billboard Hot 100 and in the top 50 of single charts in Australia, Canada, and Singapore.