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Makem was born and raised in Keady, County Armagh (the "Hub of the Universe" as Makem always said), in Northern Ireland. [2] His mother, Sarah Makem, was an important source of traditional Irish music, who was visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O'Boyle.
The song has been covered by Steve Goodman, Liam Clancy, Tommy Makem, Brendan Grace [1] [2] [3] Bernard Wrigley, John Gorka, Suzy Bogguss, Norm Hacking, Anne Hills, John McDermott (No. 18 Canada), [4] The New Kingston Trio, The Shaw Brothers, Gamble Rogers, Tom Russell, Jerry Jeff Walker, Robert James Waller, Cashman & West, Josh White Jr., [5] Woods Tea Company, Keith Harkin, Celtic Thunder ...
The 1956 track and rest of the 1959 record also appears on the 2012 double CD, Raise a Glass to the Sounds of...The Clancy Brothers & Tommy Makem. [2] These albums are also available for digital download. In late 2013 the album was released on CD with the original "O Donnell Aboo" as part of The Clancy Brothers Collection 1956-1962.
A Spontaneous Performance Recording!: The Clancy Brothers and Tommy Makem, sometimes simply called A Spontaneous Performance, is a 1961 collection of traditional Irish folk songs performed by The Clancy Brothers with frequent collaborator Tommy Makem. It was their first album for Columbia Records. [2]
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The tune and lyrics of a version entitled "Lee-gangway Chorus (a-roving)" but opening with the familiar "In Amsterdam there dwelt a maid" was included in Naval Songs (1883) by William A Pond. [6] Between 1904 and 1914, the famous English folklorist Cecil Sharp collected many different versions in the coastal areas of Somerset , England ...
Ain't It Grand Boys: A Collection of Unissued Gems is a 1995 two-disc compilation of previously unreleased recordings by the Clancy Brothers and Tommy Makem.All the tracks were taken from various live performances from the early to mid-1960s.
Recorded Live in Ireland is a 1965 album of Irish folk songs performed by The Clancy Brothers and Tommy Makem. It was the first live album to be recorded in stereo in Ireland . [ 1 ] It was their sixth LP for Columbia Records and, unusually for the group, included two newly composed songs in the folk style.