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The Satanic Verses is the fourth novel from the Indian-British writer Salman Rushdie. First published in September 1988, the book was inspired by the life of the Islamic prophet Muhammad . As with his previous books, Rushdie used magical realism and relied on contemporary events and people to create his characters.
Sutan Takdir Alisjahbana's short novel Layar Terkembang ("The Sail Unfolds") is a sensitive portrayal of young women in contemporary Indonesia. Rustam Effendi with his Bebasari wrote the first modern play (on a historical theme).
A verse novel is a type of narrative poetry in which a novel-length narrative is told through the medium of poetry rather than prose.Either simple or complex stanzaic verse-forms may be used, but there is usually a large cast, multiple voices, dialogue, narration, description, and action in a novelistic manner.
"Kasturi" is an animal which has a special "bina". The smell of this bina is very sweet and magical. There is a popular metaphor that this animal runs behind its own smell without knowing that the smell is actually coming from itself. The writer has done an excellent job picking the metaphor as its title and makes the whole novel even more ...
To Live (simplified Chinese: 活着; traditional Chinese: 活著; pinyin: Huózhe) is a novel written by Chinese novelist Yu Hua in 1993. It describes the struggles endured by Fugui, the son of a wealthy land-owner, while historical events caused and extended by the Chinese Revolution are fundamentally altering the nature of Chinese society.
Al-Suyuti narrates that a man from humanity and a man from the jinn met. Whereupon, as means of reward for defeating the jinn in a wrestling match, the jinn teaches a Quranic verses that if recited, no devil (šayṭān) will enter the man's house with him, which is the "Throne Verse".
Neverwhere is the companion novelisation written by English author Neil Gaiman of the television serial Neverwhere, written by Gaiman and devised by Lenny Henry. [1] The plot and characters are exactly the same as in the series, with the exception that the novel form allowed Gaiman to expand and elaborate on certain elements of the story and restore changes made in the televised version from ...
"Reality" in the I-novel is defined by 3 aspects. The first is a one-to-one relationship between the author's experience and the story in the novel, though slight differences are acceptable. The second is "inner reality". Rather than reflecting accurate facts, the I-novel emphasizes more on the actual spiritual condition of the author.