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"Bring a Torch, Jeanette, Isabella" ("French: Un flambeau, Jeannette, Isabelle") is a Christmas carol which originated from the Provence region of France in the 17th century. The carol was first published in France, and was subsequently translated into English in the 18th century.
The hymns are split up by subject, such as theme (Commitment/Action, Love and Compassion, Hope, Freedom, Justice, Stewardship of the Earth) time (Morning, Evening, The Seasons, Harvest, Solstice and Equinox), origin (Music of The Cultures of the World, Words from Sacred Traditions, The Jewish Spirit, The Christian Spirit), holiday (Kwanzaa, Pesach / Passover, Hanukkah, Advent, Christmas ...
Keith Chapman published a number of pieces, most of which are arrangements of hymns or well-known melodies set in his personal style. They emphasize accent and rhythm for the faster pieces and harmonic variation in all of them, reminiscent of Debussy and Ravel. It is thought likely that many of these works began as improvisations from his daily ...
In 1983, two years after Robert Russell Bennett's death, Shaw recorded a somewhat revised digital stereo version of The Many Moods of Christmas, with the Atlanta Symphony Orchestra and Chorus, released that December by Telarc. It was the first of three Christmas albums that Robert Shaw recorded for Telarc.
العربية; Bosanski; Català; Čeština; Corsu; Cymraeg; Dansk; Español; Euskara; فارسی; Français; Gaeilge; Galego; 한국어; Hrvatski; Bahasa Indonesia ...
Olympic songs and anthems are adopted officially by International Olympic Committee (or by official broadcasters and partners selected by IOC), to be used prior to the Olympic Games and to accompany the games during the event.
Margaret Ann (“Peg”) Shelley Vance (30 July 1925 - 18 May 2008) [1] [2] was an American composer [3] [4] [5] and music educator who is best remembered today for her compositions and arrangements for choirs. Vance was born in Lincoln, Nebraska, to Dora Aldona Kidd and Harold E. Shelley. [2]
Bring a Torch is frequently notated in 3/4 time. So that statement is removed. So that statement is removed. Also, there is nothing in any version of the lyrics in the article (or any other French or English version that I have found) that says that anyone is a milkmaid, or that the song is sung from the point of view of Jeanette (and Isabella ...