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The shoot-out that ends Sergio Leone's Spaghetti Western Dollars Trilogy is an example of how these elements work together to produce a formalist effect: the shot selection goes from very wide to very close and tense; the length of shots decreases as the sequence progresses towards its end; the music builds. All of these elements, in ...
The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in ...
Balancing refers to the visual composition, i. e., characters are evenly distributed throughout the frame. The action is subtly addressed towards the spectator (frontality) and set, lighting (mostly three-point lighting, especially high-key lighting), and costumes are designed to separate foreground from the background (depth).
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
Two films may be from the same genre, but may well look different as a result of the film style. For example, Independence Day and Cloverfield are both sci-fi, action films about the possible end of the world. However, they are shot differently, with Cloverfield using a handheld camera for the entire movie. Films in the same genre do not ...
Symbolic effects taken over from conventional literary and artistic tradition continued to make some appearances in films during these years. In D. W. Griffith's The Avenging Conscience (1914), the title "The birth of the evil thought" precedes a series of three shots of the protagonist looking at a spider, and ants eating an insect. Symbolist ...
Sound is used extensively in filmmaking to enhance presentation, and is distinguished into diegetic and non-diegetic sound: Diegetic sound is heard by both the characters and audience. Also called "literal sound" or "actual sound". Examples include Voices of characters; Sounds made by objects in the story, e.g. heart beats of a person
Also called a background actor. An actor or performer in a film who appears in a non-speaking or non-singing capacity, usually briefly and in the background, without any particular characterization or direct plot relevance, such that viewers are not intended to identify with or consciously focus on the character at all.