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But in a relatively brief number of pages, as Bob tomes go, the author sketches a straight-ahead portrait, his interviews often reaping indelible anecdotes or quotes. The fast-paced book has a fine, never heavy-handed interest in details, interweaving stories of Dylan's domestic life with a chronicle of his prodigious output of 40-plus ...
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Phil Spector's arrangement was ominous and ambiguous. [1]It was a brutal song, as any attempt to justify such violence must be, and Spector’s arrangement only amplified its savagery, framing Barbara Alston’s lone vocal amid a sea of caustic strings and funereal drums, while the backing vocals almost trilled their own belief that the boy had done nothing wrong.
Invisible Republic: Bob Dylan's Basement Tapes (1997) is a book by music critic Greil Marcus (born 1945) about the creation and cultural importance of The Basement Tapes, a series of recordings made by Bob Dylan in 1967 in collaboration with the Hawks, who would subsequently become known as the Band.
The book began with quotations originally in English, arranged them chronologically by author; Geoffrey Chaucer was the first entry and Mary Frances Butts the last. The quotes were chiefly from literary sources. A "miscellaneous" section followed, including quotations in English from politicians and scientists, such as "fifty-four forty or fight!".