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New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine [1] and Lincoln Kirstein. [2] Balanchine and Jerome Robbins are considered the founding choreographers of the company.
Jacques d'Amboise (born Joseph Jacques Ahearn, July 28, 1934 – May 2, 2021) [1] was an American ballet dancer, choreographer, and educator. He joined the New York City Ballet in 1949 and was named principal dancer in 1953, and throughout his time with the company he danced 24 roles for George Balanchine.
The Finnish National Opera and Ballet (Finnish: Suomen Kansallisooppera ja -baletti; Swedish: Finlands Nationalopera och -balett) is a Finnish opera company and ballet company based in Helsinki. It is headquartered in the Opera House on the coast of the Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate ...
In G Major, under its original title Concerto in G, had a preview performance at a gala benefit on May 14, 1975, before the official premiere the following day, [3] which was also Farrell's first performance since returning to the New York City Ballet. [6] The ballet was renamed to its current title in the fall that year. [3]
Vienna Waltzes is a ballet choreographed by George Balanchine to music by Johann Strauss II, Franz Lehár and Richard Strauss, made as a tribute to Austria. It premiered on June 23, 1977 at the New York State Theater, performed by the New York City Ballet, and was an immediate success among the public.
New York City Ballet: Diamond Project: May 4 Two Birds with the Wings of One: Jean-Pierre Bonnefoux: Bright Sheng: New York City Ballet: Diamond Project: May 25 Russian Seasons: Alexei Ratmansky: Leonid Desyatnikov: New York City Ballet: Diamond Project: June 8 Slice to Sharp: Jorma Elo: Heinrich Ignaz Franz von Biber and Antonio Vivaldi: New ...
He joined New York City Ballet in 1981 and made his debut as Luke in The Magic Flute the following January. [2] He was promoted to soloist in 1984 and to principal dancer in 1985. Soto danced the role of a parent in the 1993 film version of The Nutcracker , a version based on the New York City Ballet production choreographed by George Balanchine .
Real New York City Ballet dancers were used in the production and rotoscoped in order to properly capture ballet movements - the Trepak, the Adagio from the pas de deux, and the Dance of the Sugar Plum Fairy are performed much as they would be in a live production of The Nutcracker. Peter Martins served as choreographer. In this version, the ...