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Miho Hatori (羽鳥 美保, Hatori Miho, born in Tokyo, Japan) is a Japanese singer, songwriter, and musician. [1] She is best known as a solo artist, [2] [3] co-founder of New York City band Cibo Matto, [4] and as the first person to provide the voice of Noodle in the virtual band Gorillaz, [5] [6] as well as for her work with the Beastie Boys, [7] Handsome Boy Modeling School, [8] Smokey ...
Cibo Matto (pronounced [ˈtʃiːbo ˈmatto], Italian for "crazy food") was an American alternative rock band formed by Yuka Honda and Miho Hatori in New York City in 1994. [5] Their first album, Viva! La Woman (1996), had lyrics primarily concerned with food. [1]
Ecdysis is the first solo album by Japanese musician Miho Hatori.She came to prominence with a series of contributions to diverse bands, including Cibo Matto, Gorillaz, the Beastie Boys, and Smokey & Miho before working entirely as a solo performer.
The album was produced by band members Miho Hatori and Yuka Honda over the course of two years. The project was initially announced in 2012 but was delayed. The official press release touts it as a concept album "with a love story and ghosts in a hotel". [1]
Smokey & Miho was a musical group named after lead vocalists Miho Hatori and Smokey Hormel.Hatori collaborated with Hormel after leaving the group Cibo Matto.The group released two EPs and later released a compilation album, The Two EPs, which was composed of the two previously released EPs.
Butter (also referred to as Butter 08) is the debut album by Butter 08, a band consisting of Cibo Matto leaders Miho Hatori and Yuka Honda, Jon Spencer Blues Explosion drummer Russell Simins, filmmaker Mike Mills, and Skeleton Key percussionist Rick Lee. The album was released in 1996 by the Beastie Boys' label Grand Royal. [1] [2]
The unique formation of the band in which Hatori was the singer who sang all the songs in relation to food and love, and Honda was the only instrumentalist where she played live electronics and made the sound of a full band, generated a quick sensation in the city, and they signed the record deal with Warner Brothers before
Throughout the album, vocalist Miho Hatori's alternately sung, rapped, and whispered performances are backed by Yuka Honda's hip hop-inspired sound collages. [9] New York writer Chris Norris described Hatori and Honda as avant-pop musicians who on Viva! La Woman "weave found sounds, Muzak, and orchestral textures" into "atmospheric" songs. [2]