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The Wagons Roll at Night is a 1941 American circus drama film directed by Ray Enright and starring Humphrey Bogart as traveling carnival owner Nick Coster, Sylvia Sidney as his girlfriend, and Eddie Albert as a newcomer who falls in love with Nick's sister, played by Joan Leslie. [1]
Mike takes Rose Marie to Maple Rock, and places her under Lady Jane Dunstock's care. After some time, Mike falls in love with Rose Marie, but struggles to write back a letter. Meanwhile, Lady Jane trains Rose Marie on her ballroom dancing. She then sees James outside the window, and invites him to the charity dance later that night.
Winter Meeting is a 1948 American drama film directed by Bretaigne Windust and starring Bette Davis and Jim Davis. The screenplay, based on the novel of the same name by Grace Zaring Stone (under the pseudonym Ethel Vance), was written by Catherine Turney .
Police officer preventing Ainley from rushing into burning house Wheaton Chambers: Cleric delivering eulogy at funeral of Ainley's wife and son Matt Moore: Professor Joe Goodman in faculty lounge John Eldredge: Professor in faculty lounge Whit Bissell: Salesman assisting Ainley in picking gravestones for his wife and son Margaret Bert
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Vivarium is a 2019 surrealist science fantasy horror film directed by Lorcan Finnegan, from a story by Finnegan and Garret Shanley.Shanley also wrote the screenplay. An international co-production between Ireland, Denmark, and Belgium, it stars Imogen Poots, Jesse Eisenberg, Jonathan Aris, and Éanna Hardwicke.
Although not strictly a Christmas song, since the lyrics make no mention of the holiday, it has been recorded for many artists' Christmas albums and is a standard part of the holiday song repertoire in the U.S. Artists such as Rosemary Clooney, Doris Day, Dean Martin, Bette Midler, Frank Sinatra, Rod Stewart, Dinah Washington and Idina Menzel (in a duet with Billy Porter) are among those who ...
Film historian Spencer Selby called the film an "Eerie low-budget melodrama evincing several early noir elements of plot and style." [2]When the Blu-ray edition was released, film historian and critic Glenn Erickson discussed the background of the team that produced the film, "It's [Anthony Mann's] fifth film feature and his first that can be classified as at least partially noir.