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Religion and the Great Exhibition of 1851. Oxford University Press, 24 Feb 2011. Carlisle, Janice. Picturing Reform in Victorian Britain. Cambridge University Press, 2012. Taylor, Brandon. Art for the Nation: Exhibitions and the London Public, 1747-2001. Manchester University Press, 1999.
Prince Albert, Queen Victoria's consort, was an enthusiastic promoter of the self-financing exhibition; the government was persuaded to form the Royal Commission for the Exhibition of 1851 to establish the viability of hosting such an exhibition. Queen Victoria visited three times with her family, and 34 times on her own. [5]
Date/Time Thumbnail Dimensions User Comment; current: 07:09, 22 June 2020: 1,200 × 839 (346 KB): Benj73: Uploaded a work by Henry Courtney Selous from British Galleries with UploadWizard
The perceived triumph of technology, progress and peaceful trade was celebrated in the 1851 Great Exhibition, organised by Victoria's husband Albert, which attracted over 40,000 visitors per day to view the over 100,000 exhibits of manufacturing, farming and engineering on display.
The Boston Artists' Association (1841–1851) was established in Boston, Massachusetts by Washington Allston, Henry Sargent, and other painters, sculptors, and architects, in order to organize exhibitions, a school, a workspace for members, and to promote art "for the art's sake."
For the Great Exhibition of 1851 Thornycroft made an over-life-sized plaster equestrian statue of Queen Victoria which was much admired by the queen herself and by Prince Albert. [2] He had the royal family's full co-operation in its creation, the queen's horse being sent round to his studio several times during the process. [3]
The Great Exhibition of 1851: A Nation on Display. Yale University Press, 1999. Chadwick, George F. The Works of Sir Joseph Paxton, 1803-1865. Architectural Press, 1961. Hobhouse, Hermione. The Crystal Palace and the Great Exhibition: Science, Art and Productive Industry: The History of the Royal Commission for the Exhibition of 1851. A&C Black ...
At the conclusion of the Great Exhibition the cottage was dismantled and rebuilt in Kennington. [2] By one estimate over 250,000 people visited the cottage, including Queen Victoria and Charles Dickens. The final room visited contained pamphlets and books on model dwellings, as well as the architectural plans for the building through which the ...