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The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
[3] [2] He designed the windows for Temple Emanu-El and Grace Cathedral in San Francisco. He created over two dozen tapestries, [5] some of which are in the de Young Museum and the San Francisco International Airport. [2] He was commissioned to create a 30-foot tapestry for the headquarters of Weyerhaeuser. [3] In 1963, he won the Rome Prize.
At age 27, Berggruen moved back to San Francisco and decided to open his own gallery in May 1970 in a second floor walk-up at 257 Grant Avenue with $5,000 worth of Joan Miró prints lent to him on consignment from his father. [2] Berggruen moved the gallery across the street to 228 Grant Avenue two years later and remained there for 43 years.
The most famous tapestries made by Burne-Jones and Morris were Holy Grail tapestries made for William Knox D'Arcy in 1890 for his dining room at Stanmore Hall [10] Additional versions of the tapestries with minor variations were woven on commission by Morris & Co. over the next decade.
The California Society of Etchers (CSE) was founded in San Francisco in December 1912 and announced in the San Francisco Chronicle on January 19, 1913 ("Etchers Form a State Organization", p. 27). Several sources cite an earlier 1911 date, such Marilyn S. Kushner's detailed chapter, "Genesis of the Twentieth-Century Print Club", although she ...
Melchor and Hirshberg [3] initially opened Gray Area Gallery in San Francisco's South of Market (SoMa) in 2006, following a conversation about the lack of proper venues for the exhibition of new media and technology-based art works. [4] By 2008, the gallery had incorporated as a non-profit and was renamed the Gray Area Foundation for The Arts.