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Bergstutz or Stollwurm. In the folklore of the Alpine region of south-central Europe, the Tatzelwurm (German: [ˈtatsl̩ˌvʊʁm]), Stollenwurm, or Stollwurm is a lizard-like creature, often described as having the face of a cat, with a serpent-like body which may be slender or stubby, with four short legs or two forelegs and no hindlegs.
The book contains contributions by European and American ethnologists, art historians and collectors on aspects of traditional sculptural art from Tanganyika. More than 500 black-and-white photographs of sculptures and masks from public and private collections as well as maps, illustrations and a bibliography complement the individual chapters ...
Microsoft Paint saves a small black-and-white image as the following GIF file (illustrated enlarged). Paint does not make optimal use of GIF; due to the unnecessarily large color table (storing a full 256 colors instead of the used 2) and symbol width, this GIF file is not an efficient representation of the 15-pixel image.
The knucker or the Tatzelwurm is a wingless biped, and often identified as a lindworm. In legends, lindworms are often very large and eat cattle and human corpses, sometimes invading churchyards and eating the dead from cemeteries. [19] The maiden amidst the Lindorm's shed skins.
The image modification process is sometimes called color transfer or, when grayscale images are involved, brightness transfer function (BTF); it may also be called photometric camera calibration or radiometric camera calibration. The term image color transfer is a bit of a misnomer since most common algorithms transfer both color and shading ...
Later processes moved toward a black-and-white image, although photographers have used toning solutions to convert silver in the image to silver sulphide, imparting a brown or sepia tone. Similarly, selenium toner produces a blue-black or purple image by converting silver into more stable silver selenide. [ 2 ]
The sculpture targeted was the artist's large blue and white 'Porcelain Cube', the spokesperson said. The exhibit's curator, Arturo Galansino, said the perpetrator was well-known in the art world.
Jeune fille et sa suite (Young Woman and Her Suitors), 1970, Detroit Institute of Arts [3] The X and Its Tails, 1967, College of Creative Studies, Detroit [3]; Deux Disques (Two Discs), 1965, Frederik Meijer Gardens & Sculpture Park (Long-term loan from Smithsonian Institution), Grand Rapids