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On 14 August 2023, Astbury and Duffy announced a twelve-date tour of the UK, along with a single US date in Los Angeles, under the title "Death Cult 8323". Whilst concentrating on the Death Cult material, the shows also covered Southern Death Cult and The Cult's first two albums, Dreamtime and Love. [72]
The Cult reached a larger, mainstream audience, but the public's attention could not be sustained with their next album, Ceremony, at the dawn of the grunge age. Following the 'Ceremonial Stomp' tour of 1992, Astbury pressured Duffy to return to their roots, with The Cult's self-titled album. This would ultimately lead to Astbury's departure ...
Ian Astbury and Billy Duffy formed Death Cult in April 1983, enlisting Ritual members Jamie Stewart and Ray Mondo as a rhythm section to complete the band's initial lineup. [1] After the release of a self-titled debut EP , the group fired Mondo in September and replaced him with Nigel Preston of Sex Gang Children (Mondo took Preston's place in ...
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Ian Robert Astbury [1] [2] (born 14 May 1962) is an English singer, best known as the lead vocalist, frontman and a founding member of the rock band the Cult. [3] During various hiatuses from the Cult, Astbury fronted the short-lived band Holy Barbarians in 1996, and later from 2002 to 2007 served as the lead singer of Riders on the Storm, a Doors tribute band that also featured original Doors ...
Under the Midnight Sun has [14] received generally positive reviews from critics. Blabbermouth.net contributor Dom Lawson praised the new album, noting that it "imagines a new strain of muscular rock, where psychedelic string sections, the desert-bound twang of Duffy's guitar and prosaic but gripping melodies drift in and out of the motoring throng."
Critic hate it. Loyal fans love "The Boondock Saints." Re-visiting the violent cult film, 25 years later, and USA TODAY's role in the wild ride.
Death Cult formed in April 1983 when Ian Astbury (formerly of Southern Death Cult) and Billy Duffy (formerly of Theatre of Hate) joined forces after meeting each other when Southern Death Cult supported Theatre of Hate on a number of dates during the latter's tour. By June 1983, the group had written 10 songs, four of which would be recorded ...