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Its usage is generally dictated by the director of photography, but the responsibility for placing them can vary by region, usually devolving to either the gaffer and electricians (in the UK and much of The Commonwealth) or the key grip and lighting grips (in the US and Canada). A transparent flag (scrim) with light shining through it
Gaffer Patrick Shellenberger in a production photograph on the set of Dim Sum: A Little Bit of Heart. In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production. The gaffer's assistant is the best boy electric.
Key grip or first company grip: the boss or head of the grip department. Best boy grip or second company grip: this is the key grip's right-hand person. He or she will act on behalf of the key grip in areas such as booking crew and equipment rental. 3rd grip, company grip, hammer, or gang grip: the majority of grips fit into this category. They ...
Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
Lighting in British and Australian film-making is headed by the gaffer, who is also part of the camera department. Grips can also be the people that do the laborious work on sets. These type of grips push, pull, roll, and lift various pieces of equipment under direction from a television director, television producer, or set designer. Dolly grip
The Gaffer is the Head of the Set Lighting Department and reports to the Director of Photography (Cinematographer) to make decisions on the creative lighting on the set (or on location), and is responsible for executing those decisions. A budget deciphered from the production schedule, script and vision mandates the types of lights and how to ...
Using a C-stand safely is a matter of proper technique, and on the job training. When setting and tightening a grip arm, flag or other equipment in the grip head, it is crucial that the gear be set to one side of the grip head such that the weight causes the locking knob to tighten clockwise, or "righty tighty".
During shooting, the best boy may also cover for the key grip or gaffer when he or she is on a break or otherwise away from the set. On films with very small crews, the electricals (lighting) department often consists of only a gaffer, a best boy, and a few electricians. The grip department may include only a key grip, a best boy, and a few grips.