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Its usage is generally dictated by the director of photography, but the responsibility for placing them can vary by region, usually devolving to either the gaffer and electricians (in the UK and much of The Commonwealth) or the key grip and lighting grips (in the US and Canada). A transparent flag (scrim) with light shining through it
Gaffer Patrick Shellenberger in a production photograph on the set of Dim Sum: A Little Bit of Heart. In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production. The gaffer's assistant is the best boy electric.
The Gaffer is the Head of the Set Lighting Department and reports to the Director of Photography (Cinematographer) to make decisions on the creative lighting on the set (or on location), and is responsible for executing those decisions. A budget deciphered from the production schedule, script and vision mandates the types of lights and how to ...
Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
During shooting, the best boy may also cover for the key grip or gaffer when he or she is on a break or otherwise away from the set. On films with very small crews, the electricals (lighting) department often consists of only a gaffer, a best boy, and a few electricians. The grip department may include only a key grip, a best boy, and a few grips.
Brian Bansgrove (18 July 1941 – 29 December 2001) [1] was a New Zealand gaffer (chief lighting technician for motion pictures) best known for his work on The Lord of the Rings film trilogy.