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The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
Imon Tori – "Insignia Technique" – break hand from a chest push; Tekubi Tori Ichi – "Hand Neck (wrist) Technique One" – wrist lock from an outside hand grab; Tekubi Tori Ni – "Hand Neck (wrist) Technique Two" – thumb lock from an inside hand grab; Ryōeri Tori – "Both Lapel Technique" – break and wrist lock from a two-handed ...
In the Ude-hishigi-ude-gatame arm lock, Tori executes an arm lock technique by hugging one of Uke’s arms against their chest. This is often in response to an escape attempt while trying to hold Uke down. Tori uses this technique specifically when Uke attempts to escape by extending an arm to grab Tori’s collar.
The movement, Unsu, or hands in the cloud, is used to sweep away the hands of the opponent and is said to signify the gathering clouds in a thunderstorm. Masatoshi Nakayama suggests in the Best Karate volume containing Unsu, that the name derives from the constant transformations, expansions, contractions, shifting, etc. of the body as the Kata ...
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Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.
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Deashi harai (or barai) (出足払): Advanced foot ... Ude-hishigi-te-gatame (腕挫手固): Hand lock; Ude-hishigi ... These are techniques that have been removed ...