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The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
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Imon Tori – "Insignia Technique" – break hand from a chest push; Tekubi Tori Ichi – "Hand Neck (wrist) Technique One" – wrist lock from an outside hand grab; Tekubi Tori Ni – "Hand Neck (wrist) Technique Two" – thumb lock from an inside hand grab; Ryōeri Tori – "Both Lapel Technique" – break and wrist lock from a two-handed ...
The wristlock is a technique that can be applied from a stand-up position, simply by grabbing the opponent's hand and twisting and/or bending it in a non-natural direction. It is considered to be a relatively safe technique to practice with a willing opponent, [ 4 ] but if applied suddenly and/or forcefully, a wristlock can cause ligament tears ...
This Luohan's 18 hands style has 18 different methods, consisted of 6 different methods of fist, 1 method of elbow, 2 methods of palm, 4 methods of leg, and 5 methods of joint locking. [ 1 ] : vol2,p1038-61 [ 3 ] : p80-124 [ 5 ] Of these 18 methods, a form of 24 movements for attack and defense is developed, which can be performed as a solo ...
Qin Na (Chinese: 擒拿; pinyin: qínná; Wade–Giles: ch'in na) is the set of joint lock techniques used in the Chinese martial arts to control or lock an opponent's joints or muscles/tendons so they cannot move, thus neutralizing the opponent's fighting ability. [1]
A joint lock is a grappling technique involving manipulation of an opponent's joints in such a way that the joints reach their maximal degree of motion and hyperextension.. In judō these are referred to as kansetsu-waza (関節技, "joint locking technique" [1]) and in Chinese martial arts as qin na, which literally means "catching and locking".