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Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Pardoning the Rebels at Cairo; Napoleon Receiving the Keys of Vienna; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon's ...
National Gallery of Art, Washington D.C. The Three Women of Gand: 1812 oil on canvas 132 × 105 Louvre Museum, Paris Portrait of Madame David: 1813 oil on canvas 73 × 60 National Gallery of Art, Washington D.C. Apelles Painting Campaspe in the Presence of Alexander the Great: 1814 oil on canvas 96.5 × 136 Palais des Beaux-Arts de Lille, Lille ...
The Madonna with the Baby Jesus Giving Benediction by Guercino, Chambéry Musée d'Art et d'Histoire [2] The Madonna and the Baby Jesus and the Martyring of Saint Paul by Guercino, Toulouse, Musée des Augustines; The Glory of All-Saints by Guercino, Toulouse, Musée des Augustines
Napoleon Accepting the Surrender of Madrid; Napoleon at Austerlitz; Napoleon at the Tuileries; Napoleon I at Fontainebleau on March 31, 1814; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Keys of Vienna; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Nelson's ...
French Campaign, 1814 shows Napoleon Bonaparte riding a white horse, leading his troops on a cold, snowy road. [2]: 211 The painting captures the hard and gloomy moments of Napoleon’s retreat during the French Campaign of 1814, when the forces of the Sixth Coalition advanced into France.
The Battle of Jena is an 1836 history painting by the French artist Horace Vernet. [1] It depicts the Battle of Jena fought on 14 October 1806. It portrays the French Emperor Napoleon on the field at Jena, one of his greatest victories during the Napoleonic Wars where he routed a Prussian force.
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It was one of a number of paintings Vernet exhibited at the Salon of 1824, having boycotted the previous Salon in 1822 when two of his works were rejected. [3] It was the third in a series of four epic battles scenes painted by Vernet between 1821 and 1826, each depicting major events from the French Revolutionary and Napoleonic Wars.