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Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film [1] directed by Yasir Nawaz (in his feature directorial debut) [2] [3] and co-produced by Yasir Nawaz, Nida Yasir and Hassan Zia under the production banner YNH Films. [4] It is the first installment in the Wrong No. film series.
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This article lists Urdu-language films in order by year of production.Below films are mostly from Pakistan along with some Indian Urdu movies. For a full list of Pakistani films, including Punjabi language, Bengali language films and Urdu see List of Pakistani films.
Ginny Weds Sunny is a 2020 Indian Hindi romantic comedy film starring Yami Gautam as Ginny and Vikrant Massey as Sunny. It is directed by debutant Puneet Khanna and produced by Vinod Bachchan. [2] [3] The film was announced on 11 July 2019, and principal photography began on 20 September; it was shot in Delhi, Noida, Ghaziabad and Manali.
Between July and September, a number of films were released beginning with Bin Roye (Without Crying). The romantic drama film directed by Momina Duraid and Shahzad Kashmiri [104] [105] starred Mahira Khan, [106] [107] Humayun Saeed, Armeena Khan, Zeba Bakhtiar, [108] and Javed Sheikh. [109] [110] [111] One of the movie's songs is directed by ...
Ginny Aur Johnny (transl. Ginny and Johnny) is a 1976 Indian Hindi-language comedy-drama film. Produced by Amarlal Chabria and directed by Mehmood the film stars Mehmood, Amjad Khan, Helen, Rajesh Khanna, Hema Malini, Rishi Kapoor, Randhir Kapoor, Vinod Mehra, Nutan, Rakesh Roshan and Baby Ginny, who is Mehmood's own daughter.
Set against an Indian background, the gamer runs amidst the by-lanes of Delhi, railway tracks in a desert (as seen in the movie), and collect a maximum number of paans (as PK is seen enjoying eating paan in the movie). The gamer has to avoid a number of obstacles on the way, which include cows, buses, Delhi trains, rickshaws, traffic jams, and ...
In a 2004 review of the film's DVD release, John Beifuss of The Commercial Appeal called the film "arguably the find of the year, for cult movie fans", writing: "A mind-bending fusion of Hammer-style vampirism with the exotic song-and-dance numbers that are all but mandatory for movies made in Pakistan and India, [Zinda Laash] is both derivative and innovative, campy and scary."