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The three hares (or three rabbits) is a circular motif appearing in sacred sites from East Asia, the Middle East and the churches of Devon, England (as the "Tinners' Rabbits"), [1] and historical synagogues in Europe.
The infant Jesus is reading from what is very probably a book of scripture, representing his close connection with the Word of God, not only because in Christianity he fulfills the Old Testament prophecy of a messiah, but also because in some Christian traditions Jesus has been described as the word of God. [1]
Jesper Who Herded the Hares (Danish: Jesper Harehyrde) is a Scandinavian fairy tale, first recorded by Danish folktale collector Evald Tang Kristensen in the first volume of Æventyr fra Jylland. [1] Andrew Lang included it in The Violet Fairy Book. [2] The motif of herding hares is a common fairy tale theme.
Jessie Buckley has lent her voice to “Three Hares,” the hand-drawn animated short film from BAFTA-winning filmmaker Paloma Baeza (“The House,” “Poles Apart”). The ecologically-focused ...
St. Jerome Reading in the Countryside, by Giovanni Bellini, with a white hare, 1505 Hunting scenes in the sacred context can be understood as the pursuit of good through evil. In the Romanesque sculpture (c. 1135) in the Königslutter imperial Cathedral, a hare pursued by a hunter symbolises the human soul seeking to escape persecution by the ...
In the twilight, the three hares embarked on a covert mission to the pirate camp. As the tension mounted, Hon Rosie could not contain her mirth and let off a tremendous “Whoohahahahooh,” her signature, high-decibel laugh. All activity in the searat camp ceased and the hares were forced to flee.
The Heir of Liscarragh (Leamington: Art & Book Co., 1892) – produced in October 1923 at the Abbey Theatre, with Harry O'Donovan and Frank O'Donovan. [5] Tracked (Dublin, 1914) The Footsteps of Fate (Dublin, 1930) Some Strange Experiences of Kitty the Hare – The Famous Travelling Woman of Ireland, Mercier Press, Dublin, 1987, ISBN 9780853427995
Credit line: given by W.G. Russell Allen: References: Albrecht Dürer: Complete woodcuts, 008 ; Bartsch's Le Peintre Graveur, 102 (Grav.Bois) Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 9