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For perspective-control and tilt–shift lenses, the mechanical linkage is impractical, and automatic aperture control was not offered on the first such lenses. Many PC and TS lenses incorporated a feature known as a "preset" aperture, which lets the photographer set the lens to working aperture, and then quickly switch between working aperture ...
Tilt and swing are movements available on most view cameras, often on both the front and rear standards, and on some small- and medium format cameras using special lenses that partially emulate view-camera movements. Such lenses are often called tilt-shift or "perspective control" lenses.
Thus any focal length lens mounted on a view camera or field camera, and many press cameras can be used with perspective control. Some interchangeable lens medium format, 35 mm film SLR, and Digital SLR camera systems have PC, shift, or tilt/shift lens options which allow perspective control and, in the case of a tilt/shift lens, plane of focus ...
Rise is a very important movement especially in architectural photography. Generally, the lens is moved vertically—either up or down—along the lens plane to change the portion of the image captured on the film. In the 35 mm format, special shift lenses (sometimes called perspective control lenses) emulate the rise or fall of view cameras.
5 Lens Gallery. 8 comments. 6 Zenitar lenses. 1 comment. 7 Compatibility of Canon TS-E and Nikon PC-E lenses. 2 comments. 8 ...
Note that linear perspective changes are caused by distance, not by the lens per se – two shots of the same scene from the same distance will exhibit identical perspective geometry, regardless of lens used. However, since wide-angle lenses have a wider field of view, they are generally used from closer, while telephoto lenses have a narrower ...
A view camera permits full, incrementally calibrated control over this technique, though it is possible to achieve with other cameras and formats. It is possible to achieve similar effects on a 35mm camera or digital single-lens reflex camera (DSLR) using a special tilt-shift lens, or by manually holding a lens that is removed from its mount.
Psychophysics experiments have shown that relative orientations between 0 deg and about 50 deg produce repulsion effects (the test line or grating tends to rotate away from the contextual stimulus), which is known as the direct form of the tilt effect; but larger relative orientations up to 90 deg produce attraction effects (the test line or ...