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Concerto for Harmonica and Orchestra, Op. 46 Concerto for Guitar and Orchestra, Op. 67 Concerto No. 2 for Clarinet and Orchestra, Op. 115 Larry Austin: 1960 1961 1971 Fantasy on a Theme by Berg, for jazz orchestra: 5 saxs, 5 tpts, 4 trbns, perc set, pno, db Improvisations for Orchestra and Jazz Soloists (tpt or alt sax; perc set, db)
The Concierto de Aranjuez ([konˈθjeɾ.to ðe a.ɾaŋˈxweθ], "Aranjuez Concerto") is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
Concerto for violin and orchestra op.50 'dedicated to Ivry Gitlis' (1958) 3 Bagatelles for string orchestra op.51 (1958) Art for Art's Sake – A Fantasia for Jazz Orchestra op.52 (1959) Concertino for trombone and orchestra op.53 (1960) Marijuana – Variations non sérieuses op.54 (1960) Sinfonietta da Camera op.55 (1961)
Apart from a one-movement Sonata for Violin and Piano dating from 1899, unpublished in the composer's lifetime, Ravel wrote seven chamber works. [18] The earliest is the String Quartet (1902–03), dedicated to Fauré, and showing the influence of Debussy's quartet of ten years earlier.
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
Jazz had been popular in Paris since the start of the decade: Ravel had first heard, and enjoyed, it in 1921, and its influence is heard in the violin sonata, completed in 1927, and in the D major piano concerto. [6] [n 2] The Basque theme mooted in 1906 and 1913 was not wholly abandoned.
Rhapsody in Blue is a 1924 musical composition for solo piano and jazz band by George Gershwin.Commissioned by bandleader Paul Whiteman, the work combines elements of classical music with jazz-influenced effects and premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City.
Concerto for Orchestra, by Leonard Bernstein (1986–89), which is also known as "Jubilee Games" for orchestra and baritone. Third Concerto for Orchestra, Op. 80, by Robin Holloway (1981–94) Concerto for Orchestra (Variations without a theme), by Denys Bouliane (1985–95)