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The Barcelona chair is a chair designed by Ludwig Mies van der Rohe and Lilly Reich, [1] [2] for the German Pavilion at the International Exposition of 1929, hosted by Barcelona, Catalonia, Spain. The chair was first used in Villa Tugendhat , a private residence, designed by Mies in Brno ( Czech Republic ).
The Tugendhat chair’s reissue remains totally faithful to these first editions, adhering to original sketches with “exacting precision,” according to Jonathan Olivares, senior vice president ...
The Tugendhat chair (model number MR70) is a modernist cantilever chair designed by Ludwig Mies van der Rohe in collaboration with Lilly Reich 1929–1930 for the Tugendhat House in Brno, Czechoslovakia. In appearance, the Tugendhat chair is somewhat of a hybrid of van der Rohe and Reich's 1929 Barcelona chair and 1929–1930 Brno chair.
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The Brno chair (model number MR50) is a modernist cantilever chair designed by Ludwig Mies van der Rohe and Lilly Reich in 1929-1930 for the bedroom of the Tugendhat House in Brno, Czech Republic. The design was based on similar chairs created by Mies van der Rohe working with Lilly Reich , such as the MR20 chair with wicker seat from 1927; all ...
We paid to visit the pavillion in Barcelona, to visit shops that sold the Barcelona chair and to talk with the staff members and curators - in all 2 days research along with another 2 days to further research, edit and write the article. We created an original piece of work that has structure and content which is copyrightable.
After Gaudí's death in 1926, Segimon got rid of most of the furniture that Gaudí had designed and covered over parts of Gaudí's designs with new decorations in the style of Louis XVI. La Pedrera was acquired in 1986 by Caixa Catalunya [ca; es] and when restoration was done four years later, some of the original decorations re-emerged. [24]
The Wassily Chair, also known as the Model B3 chair, was designed by Marcel Breuer in 1925–1926 while he was the head of the cabinet-making workshop at the Bauhaus, in Dessau, Germany. Despite popular belief, the chair was not designed specifically for the non-objective painter Wassily Kandinsky , who was on the Bauhaus faculty at the same time.