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While hip-hop music sales dropped a great deal in the mid-late 2000s, rappers like Flo Rida were successful online and with singles, despite low album sales. Starting in 2005, sales of hip-hop music in the United States began to severely wane, leading Time magazine to question if mainstream hip-hop was "dying."
Nevertheless, as gangsta rap became the dominant force in hip hop music, there were many songs with misogynistic (anti-women) lyrics and many music videos depicted women in a sexualized fashion. The negation of female voice and perspective is an issue that has come to define mainstream hip hop music.
Chuck Philips, Los Angeles Times, 1992 Gangsta rap is a subgenre of hip hop that reflects the violent lifestyles of inner-city American black youths. Gangsta is a non-rhotic pronunciation of the word gangster. The genre was pioneered in the mid-1980s by rappers such as Schoolly D and Ice-T, and was popularized in the later part of the 1980s by groups like N.W.A. In 1985 Schoolly D released "P ...
By the late 2000s, urban music had taken a backseat on top 40 radio to mainstream EDM sounds, and several successful urban artists, including Rihanna, Chris Brown, Ciara, Usher, Nicole Scherzinger, Akon, Trey Songz, Pitbull, Flo Rida, and Ne-Yo, were making EDM records for top 40 airplay while continuing to make hip hop or pure R&B records for ...
"popular as counterculture," or empowering citizens to act against the oppression they face; see punk rock, heavy metal music, and hip hop music. [20] "popular as mass," or the music becomes the tool for oppression. [21] A society's popular music reflects the ideals that are prevalent at the time it is performed or published. [22]
Indigenous artists say Indigenous hip-hop differs from much of today’s mainstream hip-hop in that its main purpose is to bring awareness to serious issues in Indian Country, like Turney had been ...
As hip-hop and rap music grew into a force in American culture, its pioneers used it as a medium to speak to their personal realities. In 1982, in the song “The Message,” Grandmaster Flash and ...
A key part of recorded hip-hop’s early years of relying heavily on session musicians for backing tracks, bassist Larry Smith played on early ‘80s classics including “The Breaks.”