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As a neologism, the term derives from two Greek words: thea, θεά, meaning 'goddess', the feminine equivalent of theos, 'god' (from PIE root *dhes-); [4] and logos, λόγος, plural logoi, often found in English as the suffix -logy, meaning 'word, reason, plan'; and in Greek philosophy and theology, the divine reason implicit in the cosmos ...
Since the 1970s, Goddess Spirituality has emerged as a recognizable international cultural movement. [17] In 1978 Carol P. Christ's widely reprinted essay "Why Women Need the Goddess," [18] which argues in favor of the concept of there having been an ancient religion of a supreme goddess, was presented as the keynote address to an audience of over 500 at the "Great Goddess Re-emerging ...
Rather, it is the eternal or divine which reveals itself in the feminine," van der Laan concludes: "As the symbolic representation of divine wisdom and creative power, the Eternal-Feminine can never be grasped or possessed. Beyond all human reach and comprehension, the eternal and divine always draws Faust and humanity onward toward itself." [10]
Various triune or triple goddesses, or deities who appeared in groupings of three, were known to ancient religion. Well-known examples include the Tridevi (Saraswati, Lakshmi, and Parvati), Triglav (Slavs), the Charites (Graces), the Horae (Seasons, of which there were three in the ancient Hellenistic reckoning), and the Moirai (Fates).
The noun goddess is a secondary formation, combining the Germanic god with the Latinate -ess suffix. It first appeared in Middle English, from about 1350. [3] The English word follows the linguistic precedent of a number of languages—including Egyptian, Classical Greek, and several Semitic languages—that add a feminine ending to the language's word for god.
'coiled snake', pronunciation ⓘ) is a form of divine feminine energy (or Shakti) believed to be located at the base of the spine, in the muladhara. It is an important concept in Śhaiva Tantra, where it is believed to be a force or power associated with the divine feminine or the formless aspect of the Goddess
In Hindu traditions, Devi is the female aspect of the divine. Shakti is the divine feminine creative power, the sacred force that moves through the entire universe [83] and the agent of change. She is the female counterpart without whom the male aspect, which represents consciousness or discrimination, remains impotent and void.
Robert Graves postulated a prehistoric matriarchal religion in the 1950s, in his The Greek Myths and The White Goddess, and gave a detailed depiction of a future society with a matriarchal religion in his novel Seven Days in New Crete. [2] Verbotenes Land ("Forbidden Land"), 1936