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Max Beckmann was a prolific painter of self-portraits [26] as was Edvard Munch who made great numbers of self-portrait paintings (70), prints (20) and drawings or watercolours (over 100) throughout his life, many showing him being badly treated by life, and especially by women. [27]
In 2017, she collaborated on a "selfie" project with W Magazine that was based on the concept of the "plandid", or "the planned candid photograph". Sherman utilized a variety of photo-correction apps to create her Instagram portraits. [52] From 2019 she showed self-portraits executed as tapestries by a Belgian workshop. [53] [54]
B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [47] The last etching but for two sketches, and one of the "official" etched self-portraits. [34]
Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
'Tronie' of a Young Man with Gorget and Beret, formerly Self-portrait as a young man, 1639–40, Uffizi, Florence ' Tronie' of a Young Man with Gorget and Beret, formerly known as Self-portrait as a young man (both with variant titles) is a tronie portrait of a young man that was traditionally regarded as one of over 40 painted self-portraits by Rembrandt. [1]
Self-Portrait (1859) by Henri Fantin-Latour. Self-Portrait or Portrait of the Artist Aged 23 is an 1859 oil on canvas self portrait by Henri Fantin-Latour, showing him in a white shirt against a black background, with a paintbrush in his left hand. [1] It was his first submission to the Paris Salon but was not accepted.
Joseph, Baron Ducreux (26 June 1735 – 24 July 1802) was a French noble, portrait painter, pastelist, miniaturist, and engraver, who was a successful portraitist at the court of Louis XVI of France, and resumed his career at the conclusion of the French Revolution.
Self-Portrait with Two Pupils, Marie-Gabrielle Capet and Marie Marguerite Carreaux de Rosemond is a 1785 self-portrait painting by Adélaïde Labille-Guiard depicting the artist with two of her pupils, Marie-Gabrielle Capet and Marie-Marguerite Carreaux de Rosemond. It is in the collection of the Metropolitan Museum of Art. [1]