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Due to a lack of detailed records, little is known about Swiss folk music prior to the 19th century. Some 16th-century lute tablatures have been reconstructed into authentic instrumental arrangements; however, the first major source of information comes from 19th-century collections of folk songs, and work done by musicologist Hanny Christen.
In addition to conquest, Switzerland has been a crossroads of Europe since at least the Roman Empire. Constant movement of cultures and ideas into Switzerland has created a rich and varied folklore tradition. The study of folklore (Folkloristics) is known as Volkskunde in German. The study of Swiss folklore originates in the 19th century.
The music consists of elements of traditional Volksmusik from Switzerland as well as folk music from other regions, but also many other different styles of music. The project thus follows the old spirit of Swiss folk music, that has always been a constantly changing and growing mixture of different influences paired with local folklore .
Some of the traditional symbols of Switzerland: the Swiss flag, the alphorn and the snow-capped Alps. Folk art is kept alive in organizations all over the country. In Switzerland, it is mostly expressed in music, dance, poetry, wood carving and embroidery. There are also many regional and local rites demarcating times of the year.
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A Ranz des Vaches or Kuhreihen is a simple melody traditionally played on the horn by the Swiss Alpine herdsmen as they drove their cattle to or from the pasture. The Kuhreihen was linked to the Swiss nostalgia and Homesickness (also known as mal du Suisse "Swiss illness" or Schweizerheimweh "Swiss homesickness").
The Schwyzerörgeli is a type of diatonic button accordion used in Swiss folk music. The name derives from the town/canton of Schwyz where it was developed. Örgeli is the diminutive form of the word Orgel (organ). Outside of Switzerland the instrument is not well known and is hard to find.
Zäuerli is a type of traditional Swiss folk music, common in the Appenzell region of Switzerland. [1] It can be described as 'voiceless yodeling ', and is characterised by slower tempo and lower vocal range than in other types of yodeling, [ 2 ] making it sound somewhat 'sad'.