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Frank Edward Romero (born July 11, 1941) is an American artist considered to be a pioneer in the Chicano art movement. [ 3 ] [ 4 ] [ 5 ] Romero's paintings and mural works explore Chicano and Los Angeles iconography, often featuring palm trees and bright colors.
Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement (El Movimiento) which began in the 1960s. Chicano art was influenced by post- Mexican Revolution ideologies, pre-Columbian art, European painting techniques and Mexican-American social, political and cultural issues. [ 1 ]
Judithe Hernández had become acquainted with Carlos Almaraz when they attended graduate school at Otis Art Institute in Los Angeles and he introduced her to the group. [3] [4] With the addition of Judithe Hernández, Los Four became one of only two major Chicano artist collectives to include a woman, the other being ASCO (Willie Herron, Harry Gamboa, Jr., Gronk, and Patssi Valdez).
The drawing was part of the Los Four show at LACMA featuring the works of De la Rocha, Carlos Almaraz, Gilbert "Magu" Lujan and Frank Romero — the first major exhibition of Chicano art in L.A ...
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The momentum created from the Chicano Movement spurred a Chicano Renaissance among Chicanas and Chicanos. Artists voiced their concerns about oppression and empowerment in all areas of race, gender, class, and sexuality. [2] Chicana feminist artists and Anglo-feminist took a different approach in the way they collaborated and made their work ...
“When someone asks you if you want to take a shot with Dolores Huerta, you say, ‘Hell yeah I want to take a shot with Dolores Huerta.’”
Chicano art was rooted in a number of strong ideologies, including community, activism, and ancestral ties. The murals, novels, newspapers, sculpture, paintings and other forms of expression created by Chicanos helped shaped Chicanismo and presented this newly formed group with hundreds of years of history.