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Warner Elias Sallman (April 30, 1892 – May 25, 1968) was an American painter from Chicago best known for his works of Christian religious imagery. He also worked in commercial advertising, as well as in freelance illustration. [1]
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre , a New Testament scholar and professor at Duke University.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
Scipione Pulzone, portrait artist whose religious works include Mater Divinae Providentiae, Our Lady of the Assumption, and Christ on the Cross with Saints [454] Enguerrand Quarton, 15th-century French artist of many religious paintings, including a rendition of the Coronation of the Virgin [455] [456]
The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish. I also promise victory over enemies already here on earth, especially at the hour of death.
Thousands of artists — ranging from the late Norman Rockwell to the Oscar-nominated director Wes Anderson — have been named in a widely circulated list of people whose work was used to train a ...
Head of Christ by Warner Sallman (1941) is the most widely reproduced image of Jesus, despite the fact that he was a Hebrew man from the Middle East. Whitewashing in art is the practice of altering the racial identity of historical and mythological figures in art as a part of a larger pattern of erasing and distorting the histories and contributions of non-whites.
Single portraits are common, or smaller groups, with the full group mostly seen in narrative scenes from the Life of Christ in art, especially The Last Supper. All the apostles acquired distinctive attributes enabling them to be identified, and the most important, such as Saint Peter and Saint John the Beloved , were given a consistent physical ...