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The main reception room is characterized by specific features: a recessed alcove , staggered shelves, built-in desks, and ornate sliding doors. [5] [7] Generally the reception room is covered with wall-to-wall tatami and has square beveled pillars, a coved or coffered ceiling, and wooden shutters to protect the area from rain (雨戸, amado).
Shoin (書院, drawing room or study) is a type of audience hall in Japanese architecture that was developed during the Muromachi period. [2] The term originally meant a study and a place for lectures on the sūtra within a temple, but later it came to mean just a drawing room or study. [3] From this room takes its name the shoin-zukuri style.
An expandable table with chairs. This is a list of furniture types. Furniture can be free-standing or built-in to a building. [1] They typically include pieces such as chairs, tables, storage units, and desks. [1] These objects are usually kept in a house or other building to make it suitable or comfortable for living or working in.
Hidari Jingorō (左 甚五郎) was a possibly fictitious Japanese artist. Some people and sources state his real name was Itami Toshikatsu. [ 1 ] A Renaissance man , he worked as a sculptor, carpenter, painter, architect, comedian, actor, kōdanshi (rhythmical storyteller) and professor of art.
Second, a kamidana cannot be set up over an entrance; it must be built into a space which people will not walk under. Finally, when an ofuda is enshrined in a kamidana , after removing the pouch it is customary to leave an offering of water, liquor , or food in front of the kamidana , which should be renewed regularly. [ 2 ]
Genkan are traditional Japanese entryway areas for a house, apartment, or building, a combination of a porch and a doormat. [1] It is usually located inside the building directly in front of the door. The primary function of genkan is for the removal of shoes before entering the main part of the house or building.
In the room, tokonoma (alcove for the display of art objects) and chigaidana (shelves built into the wall) were set up to decorate various things. [4] [5] In an attempt to rein in the excess of the upper classes, the Zen masters introduced the tea ceremony.
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.